C70 刘墉·孟法师碑跋

 

Liu Yong · Meng Fa Shi Bei Ba (Meng Fa Tablet Calligraphy)
朝代:清(公元1644年-公元1911年)
名称:孟法师碑跋
作者:刘墉(公元1719年-公元1805年,一说公元1719年-公元1804年)
简介:
刘墉乃乾隆、嘉庆两朝相国。其书法由颜入手而后涉足各家。用墨厚重,貌腴骨劲,追求“黑”的丰实效果,又通过“白”的妙造,凝注神恩,创造意境。从结构布局上看,可说半黑半白,相映生辉,又有疏朗俊逸、平静舒和的气韵,故有“浓墨宰相”之美誉。
书体:行书

Dynasty: Qing (1644 – 1911)

Calligrapher: Liu Yong (1719 – 1804/ 1805)

Overview: Liu Yong was a Prime Minister serving two different emperors, Qian Long and Jia Qing. His calligraphy was fundamentally influenced by Yan’s school of thought in the beginning. He enlarged his calligraphy aspirations with influence from other calligraphers in the later stages. Liu’s calligraphy applies a thick-inked stroking technique generally. The sturdy strokes further exude the beauty of ‘black in fullness’ against a white backdrop. The dynamic contrast between ‘black’ and ‘white’, penned creatively by Liu, complements each other to form a perfect artistic concoction. The thickly applied black ink when combined with a serene white backdrop, it conjures up an unmistakable, strong identity exclusively belonging to Liu, who was affectionately known as the ‘thick-ink premier’ in those days.  

Calligraphy Style: Xing Shu

 

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