C88 溥心畲·草书条幅

 

Pu Xin Yu · A Cao Shu Banner

时代:近代
名称:溥心畲草书条幅
作者:溥心畲(公元1895年-公元1963年)
简介:
溥心畲是清宣宗曾孙,原姓爱新觉罗,后以名为姓。自幼饱学,于经史子集,无所不窥。三十岁后潜心习画,穷研家藏书画名迹,擅画山水、人物、花卉。尝自谓一生之学在经史,余事为诗,其次书法,再次为画。书法植基柳公权,骨格清健,结体遒美,行草出入晋唐,潇洒透逸,运笔提按顿挫,盘纡使转,似不经意而法变井然,点画农纤间出,腾
荡起伏,形迹生动。
书体:草书

Era: Modern History

Calligrapher: Pu Xin Yu (1895 – 1963)

Overview: Pu Xin Yu was the great-grandchild of Emperor Dao Guang of the Qing Dynasty, who belonged to the Aisin Gioro clan. He adopted the name of Pu Xin Yu after the fall of the Qing Dynasty. Pu was shaped to be a well-learned person from a tender age, having immersed himself in the study of the four key knowledge fields, namely Confucian classics, history, philosophy and literature. Into his 30s, he devoted himself to the pursuit of art and painting. His favourite painting subjects revolved around landscape, human figures and flora. Pu was an ardent follower of Confucian classics and history throughout his life. He enriched his literary engagement with poetry, calligraphy and painting. The robust character of his calligraphy took inspiration from Liu Gong Quan, which won the heart of the calligraphy fraternity subsequently. The composition of Pu’s calligraphy is aesthetically striking. His ‘Xing Cao’ (cursive) calligraphy exudes the calligraphy soul typical of Tang Dynasty, with a natural and unrestrained flow. The strokes are well-disciplined and wholesome, as seen in his vertical, horizontal, push, pull, branching and scripting techniques. Pu’s calligraphy amazes with a rhythmical profile regardless of the calligraphy styles. From inking to punches, notches, presses, thick-and-thin stroking and points of contact, Pu’s calligraphy resonates with harmonious contours and vibrant attributes.

Calligraphy Style: Cao Shu

 

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