C94 张大千·行书对联

 

Zhang Da Qian · A Xing Shu Couplet
时代:近代
名称:张大千行书对联
作者:张大千(公元1899年-公元1983年)
简介:
张大千早岁从师李瑞清和曾熙,兼收并蓄,又对宋人黄庭坚之放纵能入化之境,形成凝重、奇险、奇逸刚健,每字都具有一种向心的强磁力,以中心点向四周拓放,运笔摇曳顿挫、圆润具神,他用笔掺以画梅老杆的枯涩笔法,徐回涩进虽显风韵苍老,但又充满动感、节奏明快。张氏以画名撼天下,实际上他的书法也有很高的艺术价值。
书体:行书

Era: Modern History

Calligrapher: Zhang Da Qian (1899 – 1983)

Overview: Zhang Da Qian mastered his calligraphy from Li Rui Qing and Zeng Xi. He amassed his calligraphy knowledge from a number of different sources including that of Huang Ting Jian.  Zhang was particularly intrigued by Huang’s calligraphy style, which suggests unrestrained yet cultured strokes, with hints of adventurous spirit and peculiarity. Zhang’s calligraphy is perceived by scholars as very core-centric driven. Each character reaches out to all four corners with a balanced, rhythmic flow no matter how the stroke is swayed and that conjures up a mellow tone to the eyes. Zhang is best known for his ‘melancholy’ calligraphy technique on his favourite painting subject i.e. the weathered branches of a plum tree. It may look jaded at first glance, but the deeper you appreciate it, the more appealing it becomes. The overall profile of his calligraphy packs quite a punch as evidenced by the dynamism and fluid rhythm of his works. Zhang is still revered as a legendary painter until today. Nevertheless, his calligraphy bears a significant amount of fine elements of art and the artistic value associated with it, making his masterpieces much sought after.

Calligraphy Style: Xing Shu

 

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